Ernst & Young — Kari Souders

Bio Exhibits Installations

Contact

Bio Exhibits Installations

Design

Contact

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Large Scale 48” x 60” x 1.5” paintings

“In the Studio”
Old rope and paint on canvas. Working with lots of texture and found materials.

Please contact me about my work and commissions via DM, email: karibsouders@gmail.com or through my website www.karisoudersartist.com

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“In the Studio”
New 48” x 48” mixed media textural painting with beeswax, metallics and oil paint.
Please contact me about my work and commissions via DM, email: karibsouders@gmail.com or through my website www.karisouders

“In the Studio”
Working with lots of texture and found materials. I’m enjoying the limited color pallet and incorporating metallics to add even more depth.

Please contact me about my work and commissions via DM, email: karibsou

“In the Studio”
I can’t help but go back to making small series of iconographic biomorphic figures time and time again. They are like old friends. I love the intimacy of making small 10” x 10 works.
This piece and a few other

“In the Studio”
60” x 48” x 2.5” Cascading Flow
Color and texture flow.
Inside, edges mark the past.
Water and movement.

Please contact me about my work and commissions via DM, email: karibsouders@gmail.com or through

“In the Studio”
24” x 48” x 1.5” Each, Cracked Earth Series

I just finished reading Wild Dark Shore in which the passages about the wild natural lands and Its inhabitants were my favorite parts. Although the ravages of

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“In the Studio”
24” x 24” x 1.5” Stem Series painting
As a painting I’m working on evolves, the visual ‘gravity’ of it develops, shaping the perceived weight of shapes for the viewer. This involves inte

“In the Studio”
Echoes Within, 10” x 10” x 1.5”
Working on a small scale is so satisfying and a comfort as I have myopic vision. It invites close encounters and an intimacy that allows viewers the ability to observe the

“In the Studio”
I recently completed this work from my Stem Series. I’m still drawn to exploring remnants of rope woven with layers of paint and beeswax. The organic curves and coils I observed in an old pile of twine reminded me of